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blondiepoison:

That rawness is what keeps me hungry. I don’t take anything for granted when I’m given the chance to work with people I’ve admired. I never feel entitled. I don’t think that this is really happening yet. I don’t think that I deserve it. – Dascha Polanco for Latina magazine (June/July 2015)

Such perfection.

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yourmediahasproblems:

stop telling people to respect all opinions 

because guess what:

if your opinion dehumanizes people, if it’s sexist or racist or ableist or transphobic or homophobic, then it does not deserve respect and neither do you

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vextape:

structure

by filthygood

I got the useless pretty thing.

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jamesvega:

Luc Besson demanded that most of the action shots in the film take place in broad daylight, as he was reportedly tired of the dark spaceship corridors and dimly lit planets common in science fiction films, and wanted a brighter “cheerfully crazy” look as opposed to a gloomy realistic one. Jean Paul Gaultier designed every one of the 900 costumes worn by extras in the film’s Fhloston Paradise scenes, and checked each costume every morning. His designs, described as “intellectually transgressive”, were said to challenge sexuality and gender norms. A single jacket he designed for the film cost $5,000. [x]

The Fifth Element (1997) dir. Luc Besson
costume design by Jean Paul Gaultier
production design by Dan Weil

This movie is my heart and soul. I need the flight attendants’ outfit and all of Ruby Rod’s wardrobe please & thank you.

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theoddbeauty:

cyberlocc:

but do aliens believe in me….

Pretty sure other aliens know we exist. They ain’t paying us no mind but waiting for mankind to fuck up on some grand scale bullshit, so they can slide over and be like:

“Naw bruh yall can’t do this shit, yall really fuckin up now b. Ya’ll got two options: cut this shit out now or catch these galactic hands”.

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thispoetspace:

Natural lighting for the win.

wow wow wow wow